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自己的园地

自己的园地 立即阅读

作者:周作人    阅读:16467    收藏:2

分三辑,共五十六篇,其中“自己的园地”“绿洲”接近文艺批评,“茶话”则属于杂感随笔。“绿洲”意趣盎然,其手法为作者此后随笔创作多所沿袭;“自己的园地”则是作者此阶段文艺思想的一面镜子。“所谓自己的园地,本来是范围很宽,并不限定于某一种:种果蔬也罢,种药材也罢,――种蔷薇地丁也罢,只要本了他个人的自觉,在他认定的不论大小的地面上,应了力量去耕种,便都是尽了他的天职了。”阿英说:“‘自己的园地’一辑,确立了中国新文艺批评的础石,……《沉沦》《情诗》二评,在中国新文学运动史上,可说是很重要的文献。”可以说,周作人的文艺批评理论,到此时遂告完善。

To be Read at Dusk

To be Read at Dusk(黄昏之读) 立即阅读

作者:Charles Dickens    阅读:1878    收藏:0    语言:英语

One, two, three, four, five. There were five of them. Five couriers, sitting on a bench outside the convent on the summit of the Great St. Bernard in Switzerland, looking at the remote heights, stained by the setting sun as if a mighty quantity of red wine had been broached upon the mountain top, and had not yet had time to sink into the snow. This is not my simile. It was made for the occasion by the stoutest courier, who was a German. None of the others took any more notice of it than they took of me, sitting on another bench on the other side of the convent door, smoking my cigar, like them, and—also like them—looking at the reddened snow, and at the lonely shed hard by, where the bodies of belated travellers, dug out of it, slowly wither away, knowing no corruption in that cold region.

鲁迅的故家

鲁迅的故家 立即阅读

作者:周作人    阅读:30083    收藏:1

周作人晚年回忆鲁迅的重要著作之一,他以一个摄像机式的“旁观者”角度,再现了鲁迅丰富多彩的童年、庞大的家族、往来的好友、及至长大经历,同时也还原了民国晚期民俗图景。此外,《鲁迅的故家》处处充斥着周作人的个人特色,行文介于散文与随笔之间,文字明澈平实,让人回味良多,其中描写的情景造就了一种距离感,避免了一般叙事散文再现情景而导致的做作凝滞,显得干净空灵,不求即情即景,情景反而俱在,意味或许更强。所以,这本书既是了解鲁迅的一个途径,更是了解周作人个人风格的不二之选,某种程度上而言,“故家”的回忆是两个人共同成长的记录。

秉烛谈

秉烛谈 立即阅读

作者:周作人    阅读:5903    收藏:0

本书收录周作人一九三六年十一月至一九三七年四月的作品。作者晚年回顾平生著述,很是强调集中《赋得猫》一类文化批判之作。其取材不避古今中外,全出于作者的特殊知识,特殊趣味和特殊发现,可以说因知识而有发现,因发现而有趣味,而发现和知识又都包容于趣味之中。因系趣味文章,行文是漫谈式的,虽然分量很重,立意也深,无论从艺术性还是思想性考虑,此类文章都居周作人最佳作品之列,最能代表他的特色。

风雨谈

风雨谈 立即阅读

作者:周作人    阅读:7134    收藏:0

本书收录周作人一九三五年十一月至一九三六年五月的作品。周氏在书中着力对中国古代著述加以缜密的审视,涉及领域甚广,投入精力至巨,所写文章虽然都是短篇,这项工作却是系统的。此种审视首先是思想意义上的,而作者的文学观念也时时有所体现。他的功夫是“披沙拣金”,态度是“褒贬显然”,从古人之作中看到许多弊害,也发现了若干好处。其间的取舍标准,即一向强调的“疾虚妄”和“重情理”;换句话说,他的立场是科学精神和人道主义,或者一并说是现代文明。

药味集

药味集 立即阅读

作者:周作人    阅读:4776    收藏:1

本书是周作人十分具有代表性的子集之一,收录了周作人二十余篇经典的散文作品。他的文章多是描写生活中最为寻常的片段,字里行间也是满满的恬淡平和,却能洞穿人心,往往寥寥数语便会令读者着迷。本书中的周作人是懂生活的人,他笔下的一草一木、飞虫雨露都带着灵气,遥远却不失真。透过本书他信手为世人打开了一扇窗,透过那扇窗让我们依然可见当年古朴的市井原态和时代风貌。从作者散文创作来看,本书与《夜读集》风格相近,曾于1941年由国际文化振兴会出版单行本。“药味”之命,乃是因为书中所收文章,看似闲适,但是用心品茗却令人颇感苦闷,在苦味中希望能对他人有所裨益,故以此为名。“痛,并快乐着”,或许就是本书吸引读者的一大特点。

The Uncommercial Traveller

The Uncommercial Traveller(不做生意的旅行者) 立即阅读

作者:Charles Dickens    阅读:10219    收藏:0    语言:英语

The Uncommercial Traveller is a collection of literary sketches and reminiscences written by Charles Dickens, published in 1860-1861. In 1859 Dickens founded a new journal called All the Year Round and the Uncommercial Traveller articles would be among his main contributions. He seems to have chosen the title and persona of the Uncommercial Traveller as a result of a speech he gave on 22 December 1859 to the Commercial Travellers' School London in his role as honorary chairman and treasurer. The persona sits well with a writer who liked to travel, not only as a tourist, but also to research and report what he found visiting Europe, America and giving book readings throughout Britain.

Pictures from Italy

Pictures from Italy(意大利风光) 立即阅读

作者:Charles Dickens    阅读:3218    收藏:0    语言:英语

Pictures from Italy is a travelogue by Charles Dickens, written in 1846. The book reveals the concerns of its author as he presents, according to Kate Flint, the country "like a chaotic magic-lantern show, fascinated both by the spectacle it offers, and by himself as spectator". In 1844, Dickens took a respite from writing novels and for several months traveled through France and Italy with his family. They visited the most famous sights: Genoa, Rome, Naples (with Vesuvius still smouldering), Florence and Venice. In his travelogue the author portrays a nation of great contrasts: grandiose buildings and urban desolation, and everyday life beside ancient monuments. But it is his encounters with Italy's colorful street life that capture the imagination.

Sketches by Boz

Sketches by Boz(博兹札记) 立即阅读

作者:Charles Dickens    阅读:13845    收藏:0    语言:英语

Sketches by "Boz," Illustrative of Every-day Life and Every-day People (commonly known as Sketches by Boz) is a collection of short pieces Charles Dickens originally published in various newspapers and other periodicals between 1833 and 1836. They were re-issued in book form, under their current title, in February and August 1836, with illustrations by George Cruikshank. The first complete one volume edition appeared in 1839. The 56 sketches concern London scenes and people, and the whole work is divided into four sections: "Our Parish", "Scenes", "Characters" and "Tales". The material in the first three sections consists of non-narrative pen-portraits, but the last section comprises fictional stories.

还乡记

还乡记 立即阅读

作者:柔石    阅读:2429    收藏:0

这篇散文可以看作是柔石对他的还乡过程中情形的真实描绘,这篇作品的基调是明朗的、几乎可以说是欢快的,它一扫《旧时代之死》中朱胜龋似的抑郁和绝望。最重要的,柔石后期作品风格的转变在这篇散文中有完整清晰的体现。文中一共十二节,描写不同的场景,采用随见随录的形式,手法基本上是写实的,视角也是客观的。文中一开始描写了官舱中富人阶级的凶狠和无聊,与此相对应的却是穷人的苦难和辛酸。后面忽然一转,写到家乡宜人的风景和淳朴的民风,字里行间表现出欢欣和愉悦。